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Coronaviruses are a family of viruses that can cause illnesses such as the common cold, severe acute respiratory syndrome (SARS) and Middle East respiratory syndrome (MERS). In 2019, a new coronavirus was identified as the cause of a disease outbreak that originated in China.

The virus is known as severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2). The disease it causes is called coronavirus disease 2019 (COVID-19).

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Viruses, like COVID-19, continue to change over time (mutate) as they circulate.Just as people have a family tree, the evolution of the COVID-19 virus can be similarly mapped out. The branches of a virus’ family tree can have different attributes that change:

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COVID-19 has mutated several times from the original version of the virus, also known as the parent variant, causing new variants to emerge.4

Interestingly, Omicron is not a single variant but a family, meaning there are different versions of the Omicron variant in circulation, also known as descendent lineages. WHO emphasizes that these descendant lineages should be monitored as distinct lineages by public health authorities and comparative assessments of their virus characteristics should be undertaken.5, 6

What Omicron has shown is that COVID variants continue to evolve, multiply and bring with it a continued need for the public to be protected against current and future variants.7

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"Despite multiple vaccines becoming available, there remain vast global health needs further exasperated by the unpredictability of virus variant. is continuing to complement its expertise and resources with that of our peers to help prevent and control the pandemic over the long term."

We have executed an extensive development program which was based on innovative and proven manufacturing technology to make our protein-based adjuvanted COVID-19 booster vaccine available for use in Europe. Our COVID-19 vaccine was developed in partnership with GSK and BARDA.

We are continuing to study our vaccine against emerging variants and in additional populations. We will also collect data and real-world evidence to help us understand how our vaccine preforms in clinical settings.

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As the regulatory and epidemiological environment continues to evolve, we remain committed to working closely with public health regulatory authorities to understand the longer-term need for vaccines and respond appropriately.This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and wh to remove these template messages)

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Digital art refers to any artistic work or practice that uses digital technology as part of the creative or prestation process. It can also refer to computational art that uses and gages with digital media.

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Lillian Schwartz's Comparison of Leonardo's self-portrait and the Mona Lisa is based on Schwartz's Mona Leo. An example of a collage of digitally manipulated photographs

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John Whitney, a pioneer of computer graphics, developed the first computer-gerated art in the early 1960s by utilizing mathematical operations to create art.

Andy Warhol created digital art using an Amiga where the computer was publicly introduced at the Lincoln Cter, New York, in July 1985. An image of Debbie Harry was captured in monochrome from a video camera and digitized into a graphics program called ProPaint. Warhol manipulated the image by adding color by using flood fills.

Digital art can be purely computer-gerated (such as fractals and algorithmic art) or tak from other sources, such as a scanned photograph or an image drawn using vector graphics software using a mouse or graphics tablet. Artworks are considered digital paintings wh created similarly to non-digital paintings but using software on a computer platform and digitally outputting the resulting image as painted on canvas.

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Amidst varied opinions on the pros and cons of digital technology on the arts, there seems to be a strong conssus within the digital art community that it has created a "vast expansion of the creative sphere", i.e., that it has greatly broaded the creative opportunities available to professional and non-professional artists alike.

Digital visual art consists of either 2D visual information displayed on an electronic visual display or information mathematically translated into 3D information viewed through perspective projection on an electronic visual display. The simplest is 2D computer graphics which reflect how you might draw using a pcil and a piece of paper. In this case, however, the image is on the computer scre, and the instrumt you draw with might be a tablet stylus or a mouse. What is gerated on your scre might appear to be drawn with a pcil, p, or paintbrush. The second kind is 3D computer graphics, where the scre becomes a window into a virtual vironmt, where you arrange objects to be "photographed" by the computer. Typically 2D computer graphics use raster graphics as their primary means of source data represtations, whereas 3D computer graphics use vector graphics in the creation of immersive virtual reality installations. A possible third paradigm is to gerate art in 2D or 3D tirely through the execution of algorithms coded into computer programs. This can be considered the native art form of the computer, and an introduction to the history of which is available in an interview with computer art pioneer Frieder Nake.

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To create three-dimsional objects and sces for use in various media such as film, television, print, rapid prototyping, games/simulations, and special visual effects.

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There are many software programs for doing this. The technology can able collaboration, lding itself to sharing and augmting by a creative effort similar to the op source movemt and the creative commons in which users can collaborate on a project to create art.

Pop surrealist artist Ray Caesar works in Maya (a 3D modeling software used for digital animation), using it to create his figures as well as the virtual realms in which they exist.

Computer-gerated animations are animations created with a computer from digital models created by 3D artists or procedurally gerated. The term is usually applied to works created tirely with a computer. Movies make heavy use of computer-gerated graphics; they are called computer-gerated imagery (CGI) in the film industry. In the 1990s and early 2000s, CGI advanced ough that, for the first time, it was possible to create realistic 3D computer animation, although films had be using extsive computer images since the mid-70s. A number of modern films have be noted for their heavy use of photo-realistic CGI.

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Mainly refers to the process of creating paintings on computer software based on computers or graphic tables. Through pixel simulation, digital brushes in digital software (see the software in Digital painting) can imitate traditional painting paints and tools, such as oil, acrylic acid, pastel, charcoal, and airbrush. Users of the software can also customize the pixel size to achieve a unique visual effect (customized brushes).

This article or section appears to be slanted towards rect evts. Please try to keep rect evts in historical perspective and add more contt related to non-rect evts. (October 2022 ) (Learn how and wh to remove this template message)

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Since their design in 2014, some artists have created artwork using a gerative adversarial network (GAN), which is a machine learning framework that allows two "algorithms" to compete with each other and iterate.

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It is usually used to let the computer find the best solution by itself. It can be used to gerate pictures that have visual effects similar to traditional fine art. The esstial idea of image gerators is that people can use text descriptions to let AI convert their text into visual picture contt. Anyone can turn their language into a painting through a picture gerator.

And some artists can use image gerators to gerate their paintings instead of drawing from scratch, and th they use the gerated paintings as a basis to improve them and finally create new digital paintings. This greatly reduces the threshold of painting and challges the traditional definition of painting art.

Gerally, the user can set the input, and the input contt includes detailed picture contt that the user wants. For example, the contt can be a sce's contt, characters, weather, character relationships, specific items, etc. It can also include selecting a specific artist style, scre style, image pixel size, brightness, etc. Th picture gerators will return several similar pictures

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Gerated according to the input (gerally, 4 pictures are giv now). After receiving the results gerated by picture gerators, the user can select one picture as a result he wants or let the gerator redraw and return to new pictures.

In both 1991 and 1992, Karl Sims won the Gold Nica award at Prix Ars Electronica for his 3D AI animated videos using artificial evolution.

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In 2009, Eric Millikin won the Pulitzer Prize along with several other awards for

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